I’m introducing the occasional movie review to my blog. My goal is to dip my toe into the ever-expanding genre of faith-based films and to assess the stories through the lens of my growing understanding. I usually see mainstream secular productions, so this genre is new for me.
Here’s my methodology for selecting movies: I dig around Netflix’s faith and spirituality section. I read the little description and, if it sounds intriguing, I add it to my queue. Please share your movie suggestions. If it’s a newer release, I may need to wait for it to come out on Netflix.
First up: Baptists at our Barbecue
This romantic comedy, released in 2004, follows an unmarried Morman man who relocates from Utah (at age 29, this is his first time leaving the state) to a small fictional town in Arizona with a population that is exactly half Mormon and half Baptist. I initially jotted the title as Baptists at THE Barbecue, but quickly realized my mistake. Mormons are in charge of this shindig. I also thought the attractive young man and woman on the poster would be from different denominations like proper faith-crossed lovers. But no, she’s Mormon too. Not coincidentally, this film is released by Haelstorm Productions, an outfit dedicated to Mormon entertainment.
The movie opens with a quote from religious critic Harold Bloom (apparently Mormons appreciate the praise this Yale scholar has heaped on Smith). The text on screen reads: “The most significant development of 21st century religion will be the relationship between Mormons and Baptists.” When Bloom wrote these words, he might not have anticipated the dramatic rise in Nones. Reading Bloom’s quote, I anticipate some explanation as to the source of tension between two significant American denominations. I’m hopeful for an indication of how the relationship will play out.
The cause of the feud between the Mormons and the Baptists in the town appears to stretch back several generations; it’s like the Hatfields and McCoys in that its exact origins are difficult to pinpoint. As far as I can tell, the differences are silly. The Mormons don’t drink liquor and have funny names; the two main Mormon characters are called “Tartan” and “Charity.” The Baptists have ordinary names and aren’t opposed to moderate drinking. One Mormon character shouts, “They don’t believe in Joseph Smith!” A Baptist calls Tartan a “stupid water drinker”—an apparent dig at the Mormon communion drink of choice.
The Baptists have a real church building but seem to prefer gathering outdoors to listen to their preacher deliver fire and brimstone sermons. The Mormons don’t have a permanent structure, but they acquire a double-wide trailer, half of which mysteriously goes missing. The missing half is never found, but after the “All Faiths” barbecue that Tartan and Charity organize, some inroads are made at the two groups getting along. The sign outside the gas station that read, “Baptist discount” is replaced with one that says “Caffeine-free coke.” Perhaps the Baptists are beginning to see the wisdom of a stimulant-free lifestyle. After the talent show portion of the barbecue, at least one Mormon-Baptist romance brews—but only between minor characters.
While the Baptist/Mormon relationship is supposed to be the main dynamic here, I couldn’t help but notice a conflict brewing within the Mormon congregation. One uptight lady, Sister Wingate, sports an unfashionable hairdo (reminiscent of those worn by the women of some high-profile polygamous cults) and seems to represent an outdated mentality. Tartan tells Sister Wingate that the reference in the Bible to God making the earth in seven days is not literal; she accuses him of “preaching blasphemy.” Sister Wingate and her husband have a huge house (hint hint) where services were held before the double wide arrives. She has forbidden singing and music. In moving to the trailer, the congregation rejoices as boxes of hymnals arrive. Sister Wingate considers switching denominations.
Yet, the issues within the Mormon group aren’t unique to the denomination; if anything, they speak to trends in Christianity in general. On qualities that might be considered uniquely Mormon, the two characters seem to agree. Both Tartan and Sister Wingate look for “signs” to guide their decision-making, just as Joseph Smith suggested. Tartan asks Charity if she prayed about their budding romance and felt a “burning sensation” in her chest. Sister Wingate’s attitude improves when she goes to the top of a mountain to seek guidance about the changes taking place and the “mountains hum their approval.”
Throughout the movie, the filmmakers’ weave in little nods to the ways in which Joseph Smith’s influence is still appreciated and, perhaps at times, overstated. Protagonist Tartan emulates Smith’s reverence for place and the biblical significance of North American continent when he acknowledges that the events occurring in the little Arizona town are so profound he wouldn’t be surprised if “the ten tribes had a reunion here” (a reference lost tribes of Israel). Yet, the filmmakers seem to be aware that such veneration of Joseph Smith can be taken to unrealistic extremes; the audience is meant to laugh when one elderly character insists it was Smith, not George Washington, who “chopped down that cherry tree.”